Anna is a puzzle, her emotions held close to her chest. And there must be a lot of emotion boiling under her simple novice’s habit. On the eve of taking her vows and entering the life of a Catholic nun, her prioress tells her she must visit the only family she has—an aunt she’s never […]

I met Robert Wise at Syracuse University, when he spoke to our small film production class and ran an editing workshop. What did this award-winning director have to teach us about editing? A lot—he edited a little film called Citizen Kane. He also edited The Magnificent Ambersons, both Welles’ original vision and the studio-mandated recut. […]

(This essay contains spoilers) Spider-Man 2 is the best superhero film ever made. I’m willing to entertain other challengers, but if I were on Jeopardy! and the Movies for $800 answer was “The Best Superhero Film Ever Made,” I would blurt out “What is Spider-Man 2?” and feel good about it. You can fight me […]

What makes a great director? Is it someone with a singular aesthetic vision, like Ridley Scott’s early emphasis on backlighting or, to hit the other end of the spectrum, Yasijuro Ozu’s static camera placement? In my intro to this series, I wanted to explore directors who make great films but have no singular vision, aesthetic, […]

It’s often been said that there are no more original ideas; every story that can be told has already been written down. I doubt this. But if you have a complaint, as I do about Christian movies, then chances are very good someone has already voiced the same complaint. That’s why blogs and Substack exist. […]

This month’s “The Journeymen” article is only #2 in the series, and it appears I’ve already strayed off the path. That’s because Patrice Leconte in no way fits my definition of a “journeyman” filmmaker. I included him in my list because he’s one of my favorites. He also works in a variety of genres: comedy, […]

In my intro to this series, I posited that the Christian movie industry exists in part to give American Christians something they don’t often get from Hollywood: the dignity of being taken seriously. Movies like Shape of Water and Citizen Ruth paint churchgoing Christians as brainwashed hypocrites. They have ulterior motives for attending church, reading […]

I have a lot of “13 Films” list ideas. One is a tribute to 13 directors I admire but who don’t get a lot of scholarly love. This is because their body of work doesn’t fit neatly into an analytical box. Sergei Eisenstein made movies about revolution. Alfred Hitchcock is a master of suspense. Jane […]

The Holy Ghost haunts no one like the 20th century English writer. This robust literary tradition has given us J. R. R. Tolkein (Catholic), Evelyn Waugh (even more Catholic), Graham Greene (self-described “Catholic agnostic “), E. M. Forster (irreligious), Philip Pullman (atheist), and C. S. Lewis (atheist-turned-Anglican). Even among the nonbelievers, a streak of Christian […]

I’m going to kick things off with Chariots of Fire. The reason is simple. This film not only clearly demonstrates a muscular, unwavering faith, it also stands at a crossroads in time. The years after 1981, when Chariots of Fire opened, have been referred to as the “post-Christian age.” Before 1981, Christianity in the U.S. […]




