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I met Robert Wise at Syracuse University, when he spoke to our small film production class and ran an editing workshop. What did this award-winning director have to teach us about editing? A lot—he edited a little film called Citizen Kane. He also edited The Magnificent Ambersons, both Welles’ original vision and the studio-mandated recut. […]

In my intro to this series, I posited that the Christian movie industry exists in part to give American Christians something they don’t often get from Hollywood: the dignity of being taken seriously. Movies like Shape of Water and Citizen Ruth paint churchgoing Christians as brainwashed hypocrites. They have ulterior motives for attending church, reading […]