One of the reasons serious cinema lovers dismiss “journeyman” filmmakers is they often make fun, widely-seen crowd-pleasers. Rob Reiner, Robert Wise, and Penny Marshall made hits that will never be confused with Cries and Whispers or The Human Condition. To be sure, a popular movie can be a work of art. But summer tentpoles are […]

Gen X nostalgia is at its peak now, and as an Xer myself, let me apologize to all of you Millennials and Zoomers right now. The callbacks, parodies, and reminiscings out there are insufferable. Yes, we all want $2 gas and $7 large pan pizzas and kids on bicycles breathing fresh air. We don’t want […]

Everyone knows a story without conflict is no story. No one wants to watch a movie about a simple person’s happy and untroubled day. Why is that? Why is misery, agony, and anxiety the way of life? It all goes back to The Fall. The Christian outlook on our world begins with a perfect Creation […]

Anna is a puzzle, her emotions held close to her chest. And there must be a lot of emotion boiling under her simple novice’s habit. On the eve of taking her vows and entering the life of a Catholic nun, her prioress tells her she must visit the only family she has—an aunt she’s never […]

I met Robert Wise at Syracuse University, when he spoke to our small film production class and ran an editing workshop. What did this award-winning director have to teach us about editing? A lot—he edited a little film called Citizen Kane. He also edited The Magnificent Ambersons, both Welles’ original vision and the studio-mandated recut. […]

(This essay contains spoilers) Spider-Man 2 is the best superhero film ever made. I’m willing to entertain other challengers, but if I were on Jeopardy! and the Movies for $800 answer was “The Best Superhero Film Ever Made,” I would blurt out “What is Spider-Man 2?” and feel good about it. You can fight me […]

What makes a great director? Is it someone with a singular aesthetic vision, like Ridley Scott’s early emphasis on backlighting or, to hit the other end of the spectrum, Yasijuro Ozu’s static camera placement? In my intro to this series, I wanted to explore directors who make great films but have no singular vision, aesthetic, […]

It’s often been said that there are no more original ideas; every story that can be told has already been written down. I doubt this. But if you have a complaint, as I do about Christian movies, then chances are very good someone has already voiced the same complaint. That’s why blogs and Substack exist. […]

This month’s “The Journeymen” article is only #2 in the series, and it appears I’ve already strayed off the path. That’s because Patrice Leconte in no way fits my definition of a “journeyman” filmmaker. I included him in my list because he’s one of my favorites. He also works in a variety of genres: comedy, […]

In my intro to this series, I posited that the Christian movie industry exists in part to give American Christians something they don’t often get from Hollywood: the dignity of being taken seriously. Movies like Shape of Water and Citizen Ruth paint churchgoing Christians as brainwashed hypocrites. They have ulterior motives for attending church, reading […]




