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Oliver Stone is a filmmaker who pours a lot of himself into his movies. Platoon described his experience as an infantry soldier in Vietnam. His persistent dance with drug addiction ended up on display in The Doors and his script for Midnight Express. His obsession with the paranoia and conspiracies is writ large in Snowden, […]

I met Robert Wise at Syracuse University, when he spoke to our small film production class and ran an editing workshop. What did this award-winning director have to teach us about editing? A lot—he edited a little film called Citizen Kane. He also edited The Magnificent Ambersons, both Welles’ original vision and the studio-mandated recut. […]