In the movie Out of Sight, George Clooney and Jennifer Lopez, locked in a car trunk, bond over Faye Dunaway movies: Bonnie and Clyde, Network, and Three Days of the Condor. Lopez’s Karen Sisco criticizes the last movie for getting Dunaway and Robert Redford together too quickly. It’s a meta-criticism of the scene she’s acting […]

Dr. Frederick Treves is not a warm fellow. He is a proper Victorian man, after all, and a scientist to boot. His interest in the horribly deformed John Merrick is purely professional. He wants to house him at his hospital so he can study him, and he must convince the equally stoic head of the […]

I haven’t seen many of Henry Hathaway’s movies, but I’m including him because he directed one of my favorite noir films ever: Kiss of Death (the 1947 original, not the David Caruso remake), in addition to an exemplar of the intrepid newsman genre, Call Northside 777. Oh, he also directed the lauded adventure The Lives […]

Oliver Stone is a filmmaker who pours a lot of himself into his movies. Platoon described his experience as an infantry soldier in Vietnam. His persistent dance with drug addiction ended up on display in The Doors and his script for Midnight Express. His obsession with the paranoia and conspiracies is writ large in Snowden, […]

One of the reasons serious cinema lovers dismiss “journeyman” filmmakers is they often make fun, widely-seen crowd-pleasers. Rob Reiner, Robert Wise, and Penny Marshall made hits that will never be confused with Cries and Whispers or The Human Condition. To be sure, a popular movie can be a work of art. But summer tentpoles are […]

Gen X nostalgia is at its peak now, and as an Xer myself, let me apologize to all of you Millennials and Zoomers right now. The callbacks, parodies, and reminiscings out there are insufferable. Yes, we all want $2 gas and $7 large pan pizzas and kids on bicycles breathing fresh air. We don’t want […]

Anna is a puzzle, her emotions held close to her chest. And there must be a lot of emotion boiling under her simple novice’s habit. On the eve of taking her vows and entering the life of a Catholic nun, her prioress tells her she must visit the only family she has—an aunt she’s never […]

I met Robert Wise at Syracuse University, when he spoke to our small film production class and ran an editing workshop. What did this award-winning director have to teach us about editing? A lot—he edited a little film called Citizen Kane. He also edited The Magnificent Ambersons, both Welles’ original vision and the studio-mandated recut. […]

(This essay contains spoilers) Spider-Man 2 is the best superhero film ever made. I’m willing to entertain other challengers, but if I were on Jeopardy! and the Movies for $800 answer was “The Best Superhero Film Ever Made,” I would blurt out “What is Spider-Man 2?” and feel good about it. You can fight me […]

What makes a great director? Is it someone with a singular aesthetic vision, like Ridley Scott’s early emphasis on backlighting or, to hit the other end of the spectrum, Yasijuro Ozu’s static camera placement? In my intro to this series, I wanted to explore directors who make great films but have no singular vision, aesthetic, […]
