I sent this to my (occasional) writing partner in California, as we often parrot these cliches in jest: 35 Most Overused Lines of Dialogue in Screenplays Just because.
It’s a rare film that sends me straight to the keyboard to sing its praises and search for its flaws, but that’s what La Promesse has done. I finished watching it for the first time not more than thirty minutes ago, and the movie impressed me more and more with each passing second. It’s no […]
The internet is not the truth, but sometimes it exhibits a common grace. A sampling of websites and forums, for example, will teach a writer the proper form of address for a female superior officer. (If you don’t know, it’s ma’am.) If instead you relied on television writers, you would think sir was proper. I […]
I have worked as a journalist and a documentarian, and I can attest the worst thing either can do is to approach a story with an agendum*. I can also attest that this is exactly what the majority of journalists and documentarians do. Agenda have worked well for Barbara Kopple and Michael Moore, but journalists […]
For the first five films, click here. The Son and The Child (Jean-Pierre and Luc Dardenne) The Belgian Daredenne brothers, who made Kid with a Bike, also crafted these two movies with similar titles. The Son (Le Fils) is about a man (Olivier Gourmet in a masterful performance) who ends up tutoring the youth who murdered his young child years ago. Who […]
I have written that many elements of The Judgment of Parrish derive from my own experience as a dad. I love my two sons, and I populated the character of Parrish with some of their quirks, sensitivities, and challenges. I also found it easy to “method-write” the father character of Paul, with all his impatience, self-importance, and, eventually, […]